- Katie Grinnan’s The Astrology Orchestra
- The Art of Katie Grinnan: Perception in a Changing Universe | KCET
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- The Art of Katie Grinnan: Perception in a Changing Universe | KCET
Standard astrological birth charts show how all the planets look from the precise place of a person's birth on planet Earth; Grinnan had to do some serious internet digging to find diagrams from the other planets' points of view at the time of her birth. The representative instruments she created look like big African drums, but have lute strings crisscrossing their flat surfaces, into which the diagrams have been intricately carved.
The performers pluck the strings, which represent the aspects crossing each planet and are tuned to reflect the frequency of each planet's spin. Yes, it's a bit complicated. Grinnan planned a total of three performances for the Astrology Orchestra.
The third and final performance took place this past Saturday at the Integratron , an acoustically perfect building in Joshua Tree that is built entirely out of shaped wood, without the use of nails. Each of these special sites has given a particular flavor to the performance, whether it's the historic scientific references of Mount Wilson or the hippie chaos of public noise and interaction at Venice Beach.
The Integratron, built in by a visionary engineer and UFO enthusiast named George Van Tassel who claimed to have received special instructions from visitors from Venus, was arguably the most special site of all; it sits over a geomagnetic vortex and its perfect shape is supposed to channel frequencies that rejuvenate cell tissue.
Pricey sound baths held at the site tout physical and spiritual healing, but Grinnan's orchestra gave three brief performances for free to capacity crowds of art enthusiasts.
The rules devised by Grinnan for the performance are intricate. The diagram on the surface of each instrument is a pie chart representing the 12 houses of the zodiac; the lute strings may or may not cross a particular pie slice, depending on the aspects for that planet.
The musicians always begin at the first house, Aries, and can only pluck each string in the house once, although the order is entirely up to them; if there are no strings in that house they do nothing. A metronome is set in motion with a bell rigged to chime on every tenth beat; when the bell chimes, everyone moves on to the next house.
This continues until the metronome stops beating of its own accord. You have successfully signed up for your selected newsletter s - please keep an eye on your mailbox, we're movin' in! I'm not sure if I felt any healing energies during Saturday's final performance, which took place after dusk.
But I did get a sense, amid the music's spacey atonalities, of the magic of complex belief systems being rendered into one tangible form the instruments and then released into the atmosphere via another the sound.
Katie Grinnan’s The Astrology Orchestra
The players were essentially "playing" Grinnan's birth chart, but they were also being maneuvered around the system themselves like chess pieces with roles to play. As Grinnan herself reflected during a phone interview, there is a reciprocity between "you shaping the environment, and the environment shaping you. I asked Grinnan if she really believed in astrology.
Experiencing the world, in many ways we project ourselves outward into the landscape in dimensional space and distance, far beyond our physical skin. We are infinite among this field of consciousness, though our experience visually is reduced to a limited view of the world, created within our heads through the restricted aperture of our eyes.
The second drawing, a solution to this dubious crisis of subjectivity, illustrates this person with their head smashed into the drawn cactus. Plaintively Grinnan has written on the diagram, "the space is gone.
And I assume that if your head has merged with the space separating human sentience from that of a cactuses She is amongst a group of Los Angeles artists that can be defined by there playful approach to crafting objects, coupled with a seriousness of purpose regarding the concepts built into them.
The hands-on crafting is evidenced in Grinnan's sculptural installations as well as her photographic-collages. The distance existing between the flatness of these one-dimensional photo images and her frequently sprawling three-dimensional works may drive her well-regarded career.
Grinnan's art is in the collections of LA's three contemporary art museums; she's been in New York's Whitney Biennial exhibition; she's received a Guggenheim Fellowship and a Pollock-Krasner grant.
The Art of Katie Grinnan: Perception in a Changing Universe | KCET
Grinnan has two studios, one in the city and one in the country under big oak trees. I've expanded myself by traveling great distances and time with Grinnan. Back in , I was a passenger upon an abstruse but wholly universal parade of her own creation.
There was only one float in this parade. It was called Rubble Division. It portrayed the ruins of a destroyed building supply store. We drove this sculptural and large photo-collage qua-solo-art-parade-float to actual "ruins", across the United States. And as a free-jazz band played from it, and its sound moved outward towards the landscapes surrounding us, we hoped some kind of auditory, visual and cerebral connection would syncopate with Grinnan's creation and the ruins we toured; among them then president George Bush's Crawford Texas Ranch, and the Las Vegas Strip.
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In the ghost town of Rhyolite, Nev. Grinnan exhibited it at the Hammer Musuem earlier this year. It is made from a material called "friendly plastic" and sand. It also explores perception. The intricate sculpture makes solid the fluid movements of a distinct series of yogic asanas known as the Sun Salutation.
The Art of Katie Grinnan: Perception in a Changing Universe | KCET
One hundred years ago the artists Marcel Duchamp and Giacomo Balla captured series of movements as a single and simultaneous image. Duchamp and Balla's paintings, of a woman and a dog in motion respectively , were completed in the earlier years of moving pictures. These renderings are frequently considered emblematic of their mechanical and modernist era.
As today we're in the throws of a new age of perception, aided by digital technology, Grinnan's sculpture is representative of a current zeitgeist.
Grinnan tells me, "friendly plastic is like Photoshop in real space. I can edit and cut just a fast as I can on a computer.
In order to perceive this simultaneity you can't look at it from a single perspective. Literally to understand it, you must see it from multiple angles. This is the mirage of its title.
The effect of the sculpture is like the one you see in an action films; when a speeding flying subject is frozen in time and the camera swoops around him, providing what were previously hidden views of that levitating subject traveling through space and unique to the sculpture time.
This ability to embody multiple points of perspective is reflected in the subject of the sculpture -- the yogic Sun Salutation.
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Some say this asana began in ancient Vedic era and has flowed continuously until today. The salutation is meant to vitally center its practitioner, prostrate to the celestial.
In the Hindu tradition, the sun is the eye of the world and contains the potential for all life. In Grinnan's sculpture, the practitioner mirrors this sacred being by radiating outward her human heart, the place Hindus believe human wisdom is sited.
The sculpture "Mirage" embodies sentience organically as a representational sculpture. However its conceptual foil is back in the field of flat perception- where inorganic visualizations are offered by computational versions of digitally aided total awareness.
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- Astrology Orchestra by Katie Grinnan | New Music USA.
Amen to our informational enlightenment. Grinnan is fascinated by sciences of consciousness. I send her a quote by the surrealist poet Andre Breton, and she sends me back a video of a talk by cognitive astrophysicist Barry Madore.